Articles on commercial art fairs almost always start with some variation of, “It’s easy to hate on [insert art fair here],” and Frieze is no exception. To a large degree, this statement rings true—and not just because an art critic is attempting to make some lofty, highbrow commentary about the debasement of visual art through commodification.Continue 》
I’m fascinated by America’s current fixation with Marie Kondo. I’ve been familiar with the KonMari method for years now, from an old boss who eagerly anticipated getting their hands on the English translation of The Life-Changing Magic of Tidying Up back in 2014. And though I had an inkling that Kondo’s gentle, thoughtful approach to organization had the potential to reach the upper echelons of spirited office lunch hour conversations, I never would have imaged that this cheery, shiny-haired tidying fairy could actually cause thrift stores across the country to restrict their intake due to an overwhelming increase in donations.
Not only has Kondo caused the creation of a slew of new memes, a dedicated r/konmari subreddit with over 40k followers, and an entirely new verb, but thanks in part to her wildly popular Netflix series, it seems that Kondo and her methods have sent more than a few cultural pundits into a typing frenzy. Read on for a curated list of articles about the internet’s latest obsession, from an assessment of “the privilege of clutter,” to a dissection of the not-so-subtle racist outcry against the organizing guru.Continue 》
On a cold November morning halfway through my sophomore year of high school, I was sitting in a hospital examination room feeling an acute sense of relief when a doctor told me I was not allowed to go out for basketball season. I’d lost too much weight to make physical activity viable. This relief was two-fold; I hated basketball, and I’d been diagnosed with anorexia nervosa. My doctor was unimpressed, but something like pride welled up in me. I’d earned something; anorexia nervosa rang in my ears like an accolade. Now others would intervene to take away what I’d fought so hard for, but at least I knew I had the capacity to achieve it.Continue 》
For pop culture junkies, it’s easy to go way too hard at the Vulture Festival knowing that you could be getting the inside scoop on Syfy’s Deadly Class one moment and touring Grand Central Market with Phil Rosenthal and Nancy Silverton the next. We learned our lesson from last year and paced ourselves accordingly on Sunday, focusing on a handful of the festival’s returning “signature” events. Read on for some of our favorite moments from Day Two.Continue 》
Deftly avoiding a sophomore slump, the Vulture Festival was back in Los Angeles for the second year in a row, and this year’s lineup was just as jam-packed as the inaugural iteration. Not only did the festival host conversations with cultural icons such as Cynthia Nixon and Busy Philipps, but it also had panels with new fan faves such as Constance Wu (Fresh Off the Boat and Crazy Rich Asians) and Lana Condor (To All The Boys I’ve Loved Before and Syfy’s Deadly Class), as well as a handful of pretty nutty feature events—improvised musical podcast taping with special guest Rachel Bloom, anyone? Read on for some of Dinner Party’s favorites from Day One.Continue 》
I was listening to a radio interview with Death Cab for Cutie frontman Ben Gibbard the other day about the rapid changes he’s observed in Seattle’s Capitol Hill neighborhood, his home for the past twenty years. Gibbard noted that his sadness over the morphing urban landscape isn’t directly due to buildings being demolished or shops closing down. Rather, he feels that his memories are connected to physical places and grieves as these familiar haunts—and with them, his memories—begin to disappear.
I couldn’t help but think of Gibbard’s analogy about “plugging your hard drive into physical places” when I first heard of “That’s From Disneyland!” a super-sized exhibit of Disneyland memorabilia owned by music agent Richard Kraft. When Kraft’s brother Dave passed away, he rediscovered their shared childhood moments at The Happiest Place on Earth. Rather than contenting himself with a set of mouse ears or a snow globe of Cinderella’s castle, Kraft began to collect vintage souvenirs and rare artifacts from Disney Parks, eventually amassing more than 750 items over the next two decades.Continue 》