What It’s Like to Watch Every 2020 Oscar-Nominated Film, Volume Four

To wrap up the final volume of this year's Oscars roundup, I'm going to breeze through a few expected—and thus a tad uninspired—nominees for Best Picture; in their own ways, both 1917 and Ford v Ferrari told stories that were familiar and match what the Academy tends to reward. I'll also cover the three shorts … Continue reading What It’s Like to Watch Every 2020 Oscar-Nominated Film, Volume Four