Articles on commercial art fairs almost always start with some variation of, “It’s easy to hate on [insert art fair here],” and Frieze is no exception. To a large degree, this statement rings true—and not just because an art critic is attempting to make some lofty, high-brow commentary about the debasement of visual art through commodification.Continue 》
I first caught wind of British artist Lucy Sparrow a little over a year ago, in an email from a colleague fangirling over 8 Till Late, Sparrow’s felted Manhattan bodega at The Standard, High Line. Yes, you read that right: Sparrow stocked an entire store, cat and everything, with felted versions of everyday bodega items.Continue 》
A few weeks ago, I had the opportunity to attend “Brooklyn Renaissance,” a talk at the Brooklyn Museum about the role storytelling plays in the visual arts. The panel featured three of my favorite artists working today: portrait painter Kehinde Wiley, a superstar in the art world; Tatyana Fazlalizadeh, a young multimedia artist whose name you might be unfamiliar with but whose work you have probably seen; and filmmaker Spike Lee, who really needs no further introduction. Now seeing as I am a total pop culture nerd, it took me until just yesterday to get over my starstruck-ness and really digest the points brought up during the event.
With a portfolio as varied and expansive as the collection of items she uses for her installations, artist Brett Day Windham never ceases to amaze me with her creations. You may be familiar with her work with the Bergdorf Goodman windows—or the corresponding documentary, Scatter My Ashes at Bergdorf’s—but this lady’s got so much more to her than sparkly crocodiles or glittering, mosaiced sea life (Not that I’m trying to discredit either of these stunning projects. In fact, her window displays helped lead me to the rest of her work.) Most recently, Windham spent the month of April as the artist-in-residence for the Select Fair at Industry City. Windham was kind enough to speak with us about her day job, her more mobile and experimental personal work, and her plans to incorporate the lesser-known female Dada poets into her projects.Continue 》
Saturday, 10 May 2014. 5:04 p.m. The big, bright white tent that housed Frieze New York shook violently in the afternoon rainstorm. The choppy waves of the East River crashed onto the shore only a few feet away. Surely someone prepared the tent for Mother Nature’s attempts to party crash, I thought. I was, after all, at one of the world’s top art fairs. Surely someone accounted for such potential disasters, right?Continue 》
There’s just something so uniquely elegant about a letterpress-printed item. And Jennie Putvin from Nane Press certainly puts her distinctive stamp on this subtle but oh-so-satisfying art. Dinner Party had the chance to speak with the Brooklyn-based artist about her stunning creations.Continue 》